Tesla autobiographie

List of musical modes

Belongs to program Scala, see command MODE. Created by Manuel Op de Coul.
Number of modes: 1202 Maximum number of notes: 14
The numbers represent the number of scale degrees between consecutive tones of the mode, starting from the tonic. So for 12-tone modes they are semitones, for 24-tone modes quartertones, etc., but for unequal parent scales just the former. This list only specifies which notes are used in a mode, raga, maqam, etc. ignoring all other aspects. This list also ignores varieties that may exist of given modes in different regions of a culture.
A number between [] indicates another starting note than the implicit degree 0.

The Meantone chromatic scales (negative systems), Twelve-tone chromatic scales (positive systems) and their major and minor modes are of the 3-limit Pythagorean kind. The scales marked with Just are approximations to 5-limit just scales, as well as the natural, melodic and harmonic minor scales. Where names are prepended by G. it is a Greek mode, and M. indicates a medieval (ecclesiastical) mode. The more common latter names where given by Boethius who confounded them. Sometimes the name is the same: G.M. Where Greek names don't have this prefix, the Greek ordering is used.

7 tone modes:
1 1 2 1 2	Thai mode 1
1 2 1 2 1	Thai mode 2
2 1 1 2 1	Thai mode 6
7 tone modes of pelog:
Pelog is not 7 tone equal temperament. A typical pelog scale is
0, 122, 271, 571, 677, 785, 947 cents.
1 1 2 1 2	Patet Lima, Patet Nem, Jawar, Selisir
[1] 1 2 1 1 2	Patet Barang
1 2 1 1 2	Patet Lima, Nem with Pelog
[1] 1 1 2 1 2	Patet Barang with Pelog, Manangis, Slendro Gede, Pergenter 2
[2] 1 1 2 1 2	Liwung, Pergenter 1, Pengenter Alit
[3] 1 1 2 1 2	Tembung
[4] 1 1 2 1 2	Nyorog, Sunaren
[5] 1 1 2 1 2	Nyorog handap, Baro
2 1 1 2 1	Pelog
1 3 1 1 1	Dangsoe
1 2 1 2 1	Bem, Pengenter
2 1 2 1 1	Miring, Slendro 2
1 1 1 3 1	Manyura
1 1 1 1 1 1 1	Lebeng
[2] 1 1 2 3	Slendro Alit
[1] 1 2 2 2	Jegog
[4] 2 1 2 1 1	Slendro 1
[1] 2 1 2 1 1	Slendro 3
[3] 2 1 2 1 1	Slendro 4
8 tone equal mode:
2 1 2 2 1	Agmon Diatonic DS1
9 tone equal modes:
1 1 2 1 1 1 2	Nine tone "Pelog"
2 1 2 1 2 1	Nine tone Augmented
3 1 1 3 1	Pelog Pancanada: Sunda
3 1 3 1 1	Nine tone "Sorog": Sunda
1 2 1 1 2 1 1	Pelog Saptanada: Sunda
1 1 1 1 1 1 1 1 1	Pelog Nawanada: Sunda
10 tone equal mode:
2 1 1 2 1 2 1	Sethares Neutral
3 1 2 3 1	Pelog Degung: Sunda
3 1 3 2 1	Sorog Madenda: Sunda
11 tone equal mode:
2 2 2 2 1 2	Schulter Hexatonic
12 tone modes:
5 7	Honchoshi: Japan
7 5	Niagari: Japan
10 2	Warao ditonic: South America
3 4 5	Peruvian tritonic 2
3 7 2	Ute tritonic
4 3 5	Raga Malasri, Peruvian tritonic 1
4 5 3	Raga Bilwadala
5 2 5	Raga Sarvasri, Warao tritonic: South America
5 5 2	Sansagari: Japan
6 1 5	Raga Ongkari
1 5 1 5	Messiaen truncated mode 5
5 1 5 1	Messiaen truncated mode 5 inverse
2 4 2 4	Messiaen truncated mode 6
4 2 4 2	Messiaen truncated mode 6 inverse
1 4 3 4	Raga Lavangi, Gowleeswari
2 1 7 2	Warao tetratonic: South America
2 2 3 5	Eskimo tetratonic (Alaska: Bethel)
2 3 2 5	Genus primum
2 3 3 4	Raga Haripriya
2 3 4 3	Raga Bhavani
2 4 5 1	Raga Sumukam
4 2 5 1	Raga Nigamagamini
4 3 3 2	Raga Mahathi, Antara Kaishiaki
3 4 3 2	Bi Yu: China
5 2 3 2	Genus primum inverse
2 3 2 1 4	Han-kumoi: Japan, Raga Shobhavari, Sutradhari
2 1 4 1 4	Hira-joshi, Kata-kumoi, Yona Nuki mineur: Japan
1 4 2 1 4	Hon-kumoi-joshi, Sakura, Akebono II: Japan, Olympos Enharmonic, Raga Salanganata, Saveri, Gunakri (Gunakali), Latantapriya, Ambassel: Ethiopia
1 4 2 3 2	Kokin-joshi, Miyakobushi, Han-Iwato, In Sen: Japan, Raga Vibhavari (Revati), Bairagi, Lasaki
1 4 1 4 2	Iwato: Japan
2 3 2 2 3	Ritusen, Ritsu (Gagaku): Japan, Zhi, Zheng: China, Raga Devakriya, Durga, Suddha Saveri, Arabhi, Scottish Pentatonic, Ujo, P'yongjo: Korea, Major complement
2 2 3 2 3	Major Pentatonic, Ryosen, Yona Nuki majeur: Japan, Man Jue, Gong: China, Raga Bhopali (Bhup), Mohanam, Deskar, Bilahari, Kokila, Jait Kalyan, Peruvian Pentatonic 1, Ghana pent.2, Tezeta Major (Tizita): Ethiopia
2 3 2 3 2	Yo: Japan, Suspended Pentatonic, Raga Madhyamavati, Madhmat Sarang, Megh, Egyptian, Shang, Rui Bin, Jin Yu, Qing Yu: China
2 3 3 2 2	Chaio: China
2 2 2 3 3	Kung: China
1 4 2 2 3	Altered Pentatonic, Raga Manaranjani II
2 1 2 4 3	Raga Abhogi
4 2 1 4 1	Raga Amritavarshini, Malashri, Shilangi
2 1 2 3 4	Raga Audav Tukhari
4 1 4 2 1	Raga Bhinna Shadja, Kaushikdhvani, Hindolita
1 2 4 1 4	Balinese Pelog, Madenda Modern, Raga Bhupalam, Bhupala Todi, Bibhas, Tezeta Minor: Ethiopia
2 2 3 1 4	Raga Bhupeshwari, Janasammodini
2 2 1 2 5	Raga Budhamanohari
3 2 4 2 1	Raga Chandrakauns (modern), Marga Hindola, Rajeshwari
3 2 4 1 2	Raga Chandrakauns (kafi), Surya, Varamu
3 2 3 3 1	Raga Chandrakauns (kiravani)
1 2 3 2 4	Raga Chhaya Todi
1 2 2 3 4	Raga Chitthakarshini
2 3 2 4 1	Raga Desh
1 6 1 3 1	Raga Deshgaur
5 2 1 3 1	Raga Devaranjani (Devaranji)
3 2 2 3 2	Minor Pentatonic, Raga Dhani (Suddha Dhanyasi), Abheri, Udhayaravi Chandrika, Qing Shang, Gu Xian, Jia Zhong, Yu: China, P'yongjo-kyemyonjo: Korea, Minyo: Japan, Peruvian Pentatonic 2, Blues Pentatonic, Bati: Ethiopia
4 2 1 2 3	Raga Dhavalashri
4 1 2 4 1	Raga Gambhiranata, Ryukyu: Japan, Pelog Degung Modern
1 4 2 4 1	Raga Gauri
4 1 3 3 1	Bacovia: Romania, Raga Girija
2 3 4 1 2	Raga Guhamanohari
2 2 3 4 1	Raga Hamsadhvani (Hansadhvani)
3 3 2 2 2	Raga Harikauns, Chin: China
4 2 3 2 1	Raga Hindol (Sunada Vinodini), Sanjh ka Hindol
3 2 1 4 2	Raga Jayakauns
4 1 4 1 2	Raga Khamaji Durga
3 2 2 1 4	Raga Kokil Pancham
1 4 3 3 1	Raga Kshanika
1 1 6 3 1	Raga Kumarapriya
2 2 2 5 1	Raga Kumurdaki (Kumudki)
5 2 2 1 2	Raga Kuntvarali (Kuntalavarali)
3 2 3 2 2	Raga Malkauns (Malakosh), Raga Hindola, Man Gong, Quan Ming, Yi Ze, Jiao: China
4 3 2 2 1	Raga Mamata
1 3 3 3 2	Raga Manaranjani I
2 5 2 1 2	Raga Matha Kokila (Matkokil)
1 3 1 3 4	Raga Megharanjani, Syrian pentatonic
1 3 1 6 1	Raga Megharanji
3 1 3 2 3	Raga Mohanangi
3 3 1 4 1	Raga Multani
1 1 4 1 5	Raga Nabhomani
4 1 2 2 3	Raga Nagasvaravali, Raga Mand
3 2 2 4 1	Raga Nata, Udayaravicandrika, Madhuranjani
2 2 5 2 1	Raga Neroshta
2 3 3 3 1	Raga Priyadharshini
2 1 2 2 5	Raga Purnalalita, Chad Gadyo: Jewish, Ghana Pentatonic 1, Nando-kyemyonjo: Korea
5 2 2 2 1	Raga Puruhutika, Purvaholika
1 1 6 1 3	Raga Putrika
1 3 3 2 3	Raga Rasika Ranjani, Vibhas (marva), Scriabin
2 3 4 2 1	Raga Rasranjani
1 3 3 1 4	Raga Reva, Revagupti, Ramkali, Vibhas (bhairava)
1 2 4 3 2	Raga Rukmangi
3 3 1 3 2	Raga Samudhra Priya, Madhukauns (pentatonic)
1 5 1 1 4	Raga Saugandhini, Yashranjani
2 1 4 2 3	Raga Sivaranjini (Shivranjani), Akebono I: Japan, Dorian Pentatonic
3 4 1 2 2	Raga Shailaja, Varini
2 4 1 2 3	Raga Shri Kalyan
2 4 3 2 1	Raga Shubravarni
2 4 1 4 1	Raga Vaijayanti, Hamsanada
4 3 2 1 2	Raga Valaji
4 1 2 1 4	Raga Zilaf
2 2 3 3 2	Dominant Pentatonic
4 1 2 3 2	Mixolydian Pentatonic, Raga Savethri
3 2 2 2 3	Minor added sixth Pentatonic, Kyemyonjo: Korea
2 2 2 2 2 2	Whole-tone, Messiaen mode 1, Raga Gopriya, Anhemitonic Hexatonic
2 3 2 2 1 2	P'yongjo: Korea, Yosen: Japan, Raga Darbar, Narayani, Suposhini, Andolika, Gorakh Kalyan, Mixolydian Hexatonic
2 2 2 3 1 2	Prometheus, Raga Barbara
1 3 2 3 1 2	Prometheus Neapolitan
3 2 1 1 3 2	Blues scale I, Raga Nileshwari
1 2 2 3 2 2	Ritsu: Japan, Raga Suddha Todi
2 2 1 2 2 3	Arezzo Major Diatonic Hexachord, Raga Kambhoji, Devarangini, Sama (Syama), Scottish Hexatonic
2 1 2 2 3 2	Minor Hexatonic, Raga Manirangu, Nayaki, Palasi, Pushpalithika (Puspalatika), Suha Sughrai, Yo: Japan, Eskimo Hexatonic 1 (Alaska: King Island)
2 2 2 2 3 1	Eskimo Hexatonic 2 (Alaska: Point Hope)
2 1 4 2 2 1	Hawaiian
2 1 2 1 3 3	Pyramid Hexatonic
1 2 2 1 3 3	Double-Phrygian Hexatonic
2 1 3 1 4 1	Raga Amarasenapriya
2 1 2 4 1 2	Raga Bagesri, Sriranjani, Kapijingla, Jayamanohari
1 3 3 1 3 1	Raga Bauli
3 1 1 2 3 2	Raga Bhanumanjari, Jog
1 2 3 2 2 2	Raga Bhavani
2 3 2 1 3 1	Raga Bhinna Pancama
2 2 2 1 4 1	Raga Caturangini, Ratnakanthi
1 1 4 1 2 3	Raga Chandrajyoti
1 3 2 1 1 4	Raga Dhavalangam
2 2 1 1 1 5	Raga Dipak
1 2 2 2 3 2	Raga Gandharavam
1 3 1 2 4 1	Raga Gaula
2 1 2 3 3 1	Raga Ghantana, Kaushiranjani (Kaishikiranjani)
3 2 2 1 2 2	Raga Gopikavasantam, Desya Todi, Jayantasri, Phrygian Hexatonic
1 2 3 2 3 1	Raga Gurjari Todi
1 3 2 3 2 1	Raga Hamsanandi, Marva, Pancama, Puriya, Sohni
2 2 1 4 2 1	Raga Hamsa Vinodini
4 1 2 2 2 1	Raga Hari Nata, Genus secundum
1 3 2 2 1 3	Raga Hejjajji
2 4 1 1 2 2	Raga Jaganmohanam
1 4 2 2 2 1	Raga Jivantika
3 3 1 3 1 1	Raga Jivantini, Gaurikriya
4 2 1 1 2 2	Raga Jyoti
1 3 3 1 1 3	Raga Kalagada (Kalgada)
1 4 2 1 1 3	Raga Kalakanthi
1 3 1 2 2 3	Raga Kalavati, Ragamalini
4 1 2 1 2 2	Raga Kamalamanohari
1 2 4 1 2 2	Raga Kashyapi
4 1 2 2 1 2	Raga Khamas, Desya Khamas, Bahudari
2 2 3 2 2 1	Raga Kumud, Sankara (Shankara), Lydian Hexatonic
1 3 1 3 3 1	Raga Lalita, Sohini, Hamsanandi, Lalit Bhairav
2 2 3 1 3 1	Raga Latika
3 3 1 2 1 2	Raga Madhukauns (hexatonic)
2 4 1 3 1 1	Raga Malarani, Hamsanada
1 3 3 2 1 2	Raga Malayamarutam
2 1 4 2 1 2	Raga Manavi
1 3 2 1 4 1	Raga Mandari, Gamakakriya, Hamsanarayani
3 2 2 2 1 2	Raga Manohari, Malavasri
2 2 2 3 2 1	Raga Mruganandana
2 3 2 2 2 1	Raga Nagagandhari
2 2 1 2 4 1	Raga Nalinakanti, Kedaram, Vilasini
2 3 2 1 2 2	Raga Navamanohari
2 1 3 2 1 3	Raga Neelangi
2 4 1 2 2 1	Raga Nishadi
1 4 2 1 3 1	Raga Padi
4 1 2 1 3 1	Raga Paraju (Paraz, Pharas), Ramamanohari, Sindhu Ramakriya, Kamalamanohari
1 4 2 1 2 2	Raga Phenadyuti, Insen, Honchoshi, Niagari: Japan
1 2 2 1 4 2	Honchoshi plagal form: Japan
1 3 1 2 1 4	Raga Purna Pancama, Malahari, Geyahejjajji, Kannadabangala
2 2 1 4 1 2	Raga Rageshri (Rageshwari), Nattaikurinji (Natakuranji)
2 1 3 3 2 1	Raga Ranjani, Rangini
3 1 2 1 4 1	Raga Rasamanjari
1 4 2 2 1 2	Raga Rasavali
1 3 1 4 1 2	Raga Rudra Pancama
1 2 4 2 1 2	Raga Salagavarali
2 3 2 3 1 1	Raga Brindabani Sarang, Megh (Megh Malhar)
2 2 1 3 3 1	Raga Sarasanana
2 4 1 2 1 2	Raga Sarasvati
4 1 2 1 1 3	Raga Saravati (Sharavati)
2 1 3 1 3 2	Raga Simharava (Sinharavam), Gopikatilaka
2 1 2 2 4 1	Raga Sindhura Kafi
2 2 1 2 3 2	Raga Siva Kambhoji, Vivardhini, Andhali
2 1 2 2 2 3	Raga Suddha Bangala, Gauri Velavali
1 1 3 3 1 3	Raga Suddha Mukhari
1 2 2 2 1 4	Raga Suddha Simantini
2 1 3 1 1 4	Raga Syamalam
3 2 2 1 3 1	Raga Takka
4 1 2 3 1 1	Raga Tilang, Savitri, Brindabani Tilang
2 1 4 1 2 2	Raga Trimurti
1 3 1 4 2 1	Raga Vasanta, Chayavati
1 3 1 3 2 2	Raga Vasantabhairavi
2 1 3 1 2 3	Raga Vijayanagari
1 1 4 1 4 1	Raga Vijayasri
4 2 1 3 1 1	Raga Vijayavasanta
1 2 2 3 3 1	Raga Viyogavarali
4 2 1 2 1 2	Raga Vutari
2 2 2 1 2 3	Raga Yamuna Kalyani, Kalyani Keseri, Airavati, Ancient Chinese
1 1 4 1 1 4	Messiaen mode 5
4 1 1 4 1 1	Messiaen mode 5 inverse
1 3 1 3 1 3	Messiaen truncated mode 3, Prometheus (Liszt)
3 1 3 1 3 1	Messiaen truncated mode 3 inverse, Major Augmented, Genus tertium, Raga Devamani
1 2 3 1 2 3	Messiaen truncated mode 2
1 3 2 1 3 2	Messiaen truncated mode 2, Raga Indupriya
1 2 1 2 4 2	Super-Locrian hexamirror
2 1 3 2 3 1	Takemitsu Tree Line mode 1
2 1 3 2 2 2	Takemitsu Tree Line mode 2
	G = Greek, M = Medieval (ecclesiastical)
1 2 2 1 2 2 2	G.Mixolydian, G.Hyperdorian, M.Hypophrygian, M.Locrian, Pien chih: China, Makam Lami, Yishtabach: Jewish
2 2 1 2 2 2 1	G.Lydian, M.Ionian, M.Hypolydian, Major, Bilaval That, Mela Shankarabharanam, Ghana Heptatonic, Peruvian major, 4th plagal Byzantine, Ararai: Ethiopia, Makam Cargah, Ajam Ashiran, Dastgah-e Mahur, Dastgah-e Rast Panjgah, Xin: China
2 1 2 2 2 1 2	G.Phrygian, M.Dorian, M.Hypomixolydian, Kafi That, Mela Kharaharapriya, Raga Bageshri, Bhimpalasi, Nayaki Kanada, Sriraga, Ritigaula, Huseni, Mischung 5, Gregorian nr.8, Eskimo Heptatonic, Yu: China, Hyojo, Oshikicho, Banshikicho: Japan
1 2 2 2 1 2 2	G.Dorian, M.Phrygian, G.M.Hypoaeolian, Bhairavi That, Mela Hanumatodi, Raga Asavari (Asaveri), Bilashkhani Todi, Ghanta, Makam Kurd, Gregorian nr.3, In, Zokuso: Japan, Ousak: Greece, Major inverse
2 2 2 1 2 2 1	G.Hypolydian, M.Lydian, Kalyan That (Yaman), Mela Mecakalyani, Raga Shuddh Kalyan, Ping, Kung, Gu: China
2 2 1 2 2 1 2	G.Hypophrygian, G.Ionian (Iastian), M.Mixolydian, G.M.Hypoionian, Khamaj That, Mela Harikambhoji, Raga Harini, Janjhuti, Khambhavati, Surati, Balahamsa, Devamanohari, Mischung 3, Gregorian nr.7, Ching, Shang: China
2 1 2 2 1 2 2	G.M.Hypodorian, G.M.Aeolian, G.Hyperphrygian, Natural Minor, Asavari That, Mela Natabhairavi, Raga Jaunpuri, Adana, Dhanyasi, Jingla, Gregorian nr.2, Makam Buselik, Nihavend, Peruvian minor, Se, Chiao: China, Geez, Ezel: Ethiopia, Kiourdi descending: Greece
1 1 3 1 1 3 2	Chromatic Mixolydian
1 3 1 1 3 2 1	Chromatic Lydian, Raga Lalit, Bhankar
3 1 1 3 2 1 1	Chromatic Phrygian
1 1 3 2 1 1 3	Chromatic Dorian, Mela Kanakangi, Raga Kanakambari
1 3 2 1 1 3 1	Chromatic Hypolydian, Purvi That, Mela Kamavardhani, Raga Shri, Pantuvarali, Basant, Kasiramakriya, Suddharamakriya, Puriya Dhanashri, Dhipaka, Pireotikos: Greece
3 2 1 1 3 1 1	Chromatic Hypophrygian, Blues scale III
2 1 1 3 1 1 3	Chromatic Hypodorian, Relative Blues scale, Raga Dvigandharabushini
2 3 1 1 3 1 1	Chromatic Mixolydian inverse
1 1 2 3 1 1 3	Chromatic Phrygian inverse
1 1 3 1 1 2 3	Chromatic Hypophrygian inverse
3 1 1 3 1 1 2	Chromatic Hypodorian inverse
2 1 2 2 2 2 1	Melodic Minor ascending, Jazz Minor, Minor-Major, Mela Gaurimanohari, Raga Patdip, Velavali, Deshi(2), Mischung 1, Hawaiian
2 1 2 2 1 3 1	Harmonic Minor, Spanish gipsy, Mischung 4, Pilu That, Mela Kiravani, Raga Kiranavali, Kirvani, Kalyana Vasantha, Deshi(3), Maqam Bayat-e-Esfahan, Sultani Yakah, Zhalibny Minor
1 3 1 2 2 1 2	Harmonic Minor inverse, Mela Cakravaka, Raga Ahir Bhairav, Bindumalini, Vegavahini, Makam Hicaz, Zanjaran
2 2 1 2 1 3 1	Harmonic Major, Mela Sarasangi, Raga Haripriya, Simhavahini, Mischung 2, Ethiopian, Tabahaniotiko: Greece
1 2 1 3 1 2 2	Makam Huzzam, Maqam Saba Zamzam, Phrygian flat 4
2 2 1 3 1 2 1	Ionian sharp 5
2 2 2 2 1 2 1	Lydian Augmented, Lydian sharp 5
1 2 2 1 3 1 2	Locrian natural 6, Maqam Tarznauyn
2 2 1 1 2 2 2	Major Locrian
2 1 2 1 2 2 2	Minor Locrian, Half Diminished, Locrian sharp 2, Minor flat 5
1 2 1 2 2 2 2	Super Locrian, Altered Dominant, Diminished Whole-tone, Locrian flat 4, Pomeroy, Ravel
2 1 2 1 2 3 1	Locrian no.2
1 2 1 2 2 1 3	Ultra Locrian, Mixolydian sharp 1
1 2 2 1 2 1 3	Locrian double-flat 7
2 3 1 2 1 2 1	Nohkan Flute scale: Japan
2 1 1 3 1 2 2	Sabach (Sambah): Greece
2 1 2 1 3 1 2	Makam Karcigar, Maqam Nahawand Murassah, Dorian flat 5, Kiourdi ascending, Kartzihiar: Greece
2 1 2 1 3 2 1	Jeths' mode
1 1 3 2 1 2 2	Mela Ratnangi, Raga Phenadyuti
1 1 3 2 1 3 1	Mela Ganamurti, Raga Ganasamavarali
1 1 3 2 2 1 2	Mela Vanaspati, Raga Bhanumati
1 1 3 2 2 2 1	Mela Manavati, Raga Manoranjani
1 1 3 2 3 1 1	Mela Tanarupi, Raga Tanukirti
1 2 2 2 1 1 3	Mela Senavati, Raga Senagrani, Malini
1 2 2 2 1 3 1	Neapolitan Minor, Mela Dhenuka, Raga Bhinnasadjam, Dhunibinnashadjam, Takka, Maqam Shahnaz Kurdi
1 2 2 2 2 2 1	Neapolitan Major, Phrygian Major, Mela Kokilapriya, Raga Kokilaravam
1 2 2 2 2 1 2	Mela Natakapriya, Jazz Minor inverse, Phrygian-Mixolydian, Raga Natabharanam, Ahiri Todi
1 2 2 2 3 1 1	Mela Rupavati
1 3 1 1 2 3 1	Raga Lalita, Chromatic Hypolydian inverse, Raga Suddha Pancama
1 3 1 2 1 1 3	Mela Gayakapriya, Raga Kalakanti, Gipsy Hexatonic
1 3 1 2 1 2 2	Mela Vakulabharanam, Alhijaz: Arabic, Raga Jogiya, Ahiri, Vativasantabhairavi, Ahava Rabba: Jewish, Maqam Humayun, Hitzaz: Greece, Dorico Flamenco: Spain, Harmonic Major inverse, Phrygian Dominant
1 3 1 2 1 3 1	Major Gipsy, Persian, Double Harmonic Major, Bhairav That, Mela Mayamalavagaula, Raga Paraj, Kalingada, Gaulipantu, Lalitapancamam, Byzantine Liturgical Chromatic, Hitzazkiar: Greece, Maqam Zengule, Hijaz Kar, Suzidil
1 3 1 2 2 2 1	Mela Suryakanta, Bhairubahar That, Raga Supradhipam, Sowrashtram, Jaganmohini
1 3 1 2 3 1 1	Mela Hatakambari, Raga Jeyasuddhamalavi
2 1 2 1 1 3 2	Modified Blues
2 1 2 2 1 1 3	Mela Jhankaradhvani, Raga Jhankara Bhramavi
2 1 2 2 3 1 1	Mela Varunapriya, Viravasantham
2 2 1 2 1 1 3	Mela Mararanjani, Raga Keseri
2 2 1 2 1 2 2	Mischung 6, Mixolydian flat 6, Major-Minor, Mela Carukesi, Raga Charukeshi, Tarangini
2 2 1 2 3 1 1	Mela Naganandini, Raga Nagabharanam, Samanta
3 1 1 2 1 1 3	Mela Yagapriya, Raga Kalahamsa
3 1 1 2 1 2 2	Mela Ragavardhani, Raga Cudamani
3 1 1 2 1 3 1	Mela Gangeyabhusani, Raga Gangatarangini, Sengiach: Greece
3 1 1 2 2 1 2	Mela Vagadhisvari, Raga Bhogachayanata, Nandkauns, Ganavaridhi, Chayanata, Bluesy R&R
3 1 1 2 2 2 1	Mela Sulini, Raga Sailadesakshi, Raga Trishuli, Houzam: Greece
3 1 1 2 3 1 1	Mela Calanata, Raga None, Chromatic Dorian inverse
1 1 4 1 1 1 3	Mela Salaga
1 1 4 1 1 2 2	Mela Jalarnava
1 1 4 1 1 3 1	Mela Jhalavarali, Raga Varali, Jinavali
1 1 4 1 2 1 2	Mela Navanitam, Raga Nabhomani
1 1 4 1 2 2 1	Mela Pavani, Raga Kumbhini
1 1 4 1 3 1 1	Mela Raghupriya, Raga Ravikriya, Ghandarva
1 2 3 1 1 1 3	Mela Gavambodhi, Raga Girvani
1 2 3 1 1 2 2	Mela Bhavapriya, Raga Bhavani, Kalamurti
1 2 3 1 1 3 1	Todi That, Mela Shubhapantuvarali, Raga Multani, Gamakasamantam, Chromatic Lydian inverse, Maqam Athar Kurd
1 2 3 1 2 1 2	Mela Sadvidhamargini, Raga Sthavarajam, Tivravahini
1 2 3 1 2 2 1	Mela Suvarnangi, Raga Sauviram
1 2 3 1 3 1 1	Mela Divyamani
1 3 2 1 1 1 3	Mela Dhavalambari, Foulds' Mantra of Will scale
1 3 2 1 1 2 2	Mela Namanarayani, Raga Narmada, Pratapa
1 3 2 1 2 1 2	Mela Ramapriya, Raga Ramamanohari, Romanian Major, Petrushka chord
1 3 2 1 2 2 1	Marva That, Mela Gamanasrama, Raga Partiravam, Puriya, Puriya Kalyan, Purvikalyani, Sohani, Peiraiotikos: Greece
1 3 2 1 3 1 1	Mela Visvambhari, Raga Vamsavathi
1 3 2 2 2 1 1	Verdi's Enigmatic ascending
1 3 1 3 2 1 1	Verdi's Enigmatic descending
2 1 3 1 1 1 3	Mela Syamalangi, Raga Shyamalam
2 1 3 1 1 2 2	Mela Sanmukhapriya, Raga Camara, Chinthamani
2 1 3 1 1 3 1	Minor Gipsy, Mela Simhendramadhyama, Raga Madhava Manohari, Maqam Nawa Athar, Hisar, Double Harmonic Minor, Hungarian Minor, Niavent: Greece
2 1 3 1 2 1 2	Mela Hemavati, Raga Desisimharavam, Maqam Nakriz, Tunisian, Misheberekh: Jewish, Souzinak (Peiraiotiko Minore), Nigriz: Greece, Dorian sharp 4, Kaffa, Gnossiennes
2 1 3 1 2 2 1	Lydian Diminished, Mela Dharmavati, Raga Arunajualita, Dumyaraga, Madhuvanti, Ambika
2 1 3 1 3 1 1	Mela Nitimati, Raga Nisada, Kaikavasi
2 2 2 1 1 1 3	Mela Kantamani, Raga Kuntala, Srutiranjani
2 2 2 1 1 2 2	Lydian Minor, Mela Risabhapriya, Raga Ratipriya
2 2 2 1 1 3 1	Mela Latangi, Raga Gitapriya, Hamsalata
2 2 2 1 2 1 2	Lydian Dominant, Mela Vacaspati, Raga Bhusavati, Bhusavali, Overtone, Lydian-Mixolydian, Bartok
2 2 2 1 3 1 1	Mela Citrambari, Raga Chaturangini
2 2 1 4 1 1 1	Raga Ragesri
2 3 2 2 1 1 1	Raga Sorati, Sur Malhar
3 1 2 1 1 1 3	Mela Sucaritra, Raga Santanamanjari
3 1 2 1 1 2 2	Mela Jyotisvarupini, Raga Jotismatti
3 1 2 1 1 3 1	Mela Dhatuvardhani, Raga Dhauta Pancama, Devarashtra
3 1 2 1 2 1 2	Hungarian Major, Mela Nasikabhusani, Raga Nasamani
3 1 2 1 2 2 1	Mela Kosalam, Raga Kusumakaram, Lydian sharp 2
3 1 2 1 3 1 1	Mela Rasikapriya, Raga Rasamanjari, Hamsagiri
3 1 2 2 1 2 1	Aeolian flat 1
4 1 2 2 1 1 1	Raga Madhuri
1 3 1 1 3 1 2	Oriental, Raga Ahira-Lalita, Minor Gipsy inverse, Tsinganikos: Greece
2 2 2 2 2 1 1	Leading Whole-tone
1 3 1 1 1 2 2 1	Raga Bhatiyar
2 1 3 1 1 1 1 2	Raga Cintamani
2 1 2 2 2 1 1 1	Raga Mian Ki Malhar, Bahar, Sindhura
2 1 2 2 1 1 1 2	Raga Mukhari, Anandabhairavi, Deshi, Manji, Gregorian nr.1, Dorian/Aeolian mixed
1 3 1 1 1 1 3 1	Raga Ramkali (Ramakri)
1 3 1 2 1 1 2 1	Raga Saurashtra
2 1 1 1 2 2 1 2	Minor Bebop, Dorian Bebop, Raga Zilla, Mixolydian/Dorian mixed
2 2 1 2 2 1 1 1	Genus diatonicum, Dominant Bebop, Raga Khamaj, Desh Malhar, Alhaiya Bilaval, Devagandhari, Maqam Shawq Awir, Gregorian nr.6, Major/Mixolydian mixed, Chinese Eight-Tone, Rast: Greece
2 2 1 2 1 1 2 1	Major Bebop, Altered Mixolydian
2 1 2 1 1 2 1 2	Blues scale II
2 1 2 1 1 1 3 1	Algerian
1 2 1 1 2 1 2 2	Spanish Phrygian
1 2 1 1 1 2 2 2	Espla's scale, Eight-tone Spanish
1 2 2 1 1 1 3 1	Half-diminished Bebop
1 2 3 1 1 2 1 1	Neveseri: Greece
2 1 2 1 2 1 2 1	Diminished, Modus conjunctus, Messiaen mode 2 inverse, Whole-Half step scale
2 2 1 1 1 2 2 1	Ishikotsucho: Japan, Raga Yaman Kalyan, Chayanat, Bihag, Hamir Kalyani, Kedar, Gaud Sarang, Genus diatonicum veterum correctum, Gregorian nr.5, Kubilai's Mongol scale, Major/Lydian mixed
1 3 1 1 2 2 1 1	Verdi's Scala enigmatica
2 1 2 2 1 1 2 1	Zirafkend: Arabic, Melodic Minor Bebop
1 1 1 2 2 2 1 2	Adonai Malakh: Jewish
1 2 1 2 2 1 2 1	Magen Abot: Jewish
2 1 2 2 1 2 1 1	Maqam Nahawand, Farahfaza, Raga Suha (Suha Kanada), Gregorian nr.4, Utility Minor
1 1 1 2 2 1 3 1	Harmonic and Neapolitan Minor mixed
1 3 1 2 1 2 1 1	Maqam Hijaz (Hedjaz)
1 2 1 1 1 3 1 2	Maqam Shadd'araban
1 2 1 2 1 2 1 2	Octatonic, Messiaen mode 2, Dominant Diminished, Diminished Blues, Half-Whole step scale
1 1 1 3 1 1 1 3	Messiaen mode 4
3 1 1 1 3 1 1 1	Messiaen mode 4 inverse
1 1 2 2 1 1 2 2	Messiaen mode 6
2 2 1 1 2 2 1 1	Messiaen mode 6 inverse
1 1 1 2 2 1 2 2	Phrygian/Aeolian mixed
1 2 2 1 1 1 2 2	Phrygian/Locrian mixed
1 2 2 2 1 2 1 1	Hamel
1 2 2 1 1 2 2 1	Van der Horst Octatonic
1 2 2 1 2 2 1 1	Prokofiev
1 2 1 2 1 2 2 1	Shostakovich
1 2 1 1 2 2 1 2	JG Octatonic
1 1 2 1 1 2 1 1 2	Messiaen mode 3, Tsjerepnin mode 3
2 1 1 2 1 1 2 1 1	Messiaen mode 3 inverse, Tsjerepnin mode 2
2 1 2 2 1 1 1 1 1	Raga Pilu, Full Minor
2 1 1 1 2 2 1 1 1	Raga Malgunji, Ramdasi Malhar, Major/Dorian mixed
2 2 1 2 1 1 1 1 1	Raga Pahadi
2 1 1 1 1 1 2 1 2	Blues Enneatonic
2 1 2 1 1 1 1 1 2	Kiourdi: Greece
2 2 1 1 1 2 1 1 1	Taishikicho: Japan, Ryo: Japan, Raga Chayanat, Lydian/Mixolydian mixed
1 2 1 1 2 1 1 2 1	Genus chromaticum, Tsjerepnin mode 1
1 2 1 1 2 1 2 1 1	Moorish Phrygian
1 1 2 1 1 1 2 1 2	Youlan scale: China
1 1 1 2 2 1 1 1 2	Chromatic and Diatonic Dorian mixed
1 1 2 1 2 1 1 2 1	Chromatic and Permuted Diatonic Dorian mixed
2 1 1 1 2 1 1 1 2	Houseini: Greece, Modes of Major Pentatonic mixed
1 1 1 1 2 1 1 1 1 2	Messiaen mode 7
2 1 1 1 1 2 1 1 1 1	Messiaen mode 7 inverse
2 1 1 1 2 1 1 1 1 1	Major/Minor mixed
2 1 1 1 1 1 2 1 1 1	Minor Pentatonic with leading tones
1 1 1 1 1 2 1 2 1 1	Raga Sindhi-Bhairavi
1 1 2 1 1 1 1 2 1 1	Symmetrical Decatonic
1 1 1 1 1 1 1 1 1 1 1 1	Twelve-tone Chromatic
13 tone equal modes:
3 3 2 3 2	Blackwood Pentatonic
1 2 1 2 2 1 2 2	Blackwood Subminor
1 2 2 1 2 1 2 2	Chalmers Major
2 1 2 2 1 2 2 1	Chalmers Minor
2 1 2 2 1 2 1 2	Chalmers Triadic Minor
1 1 2 1 1 2 1 1 1 2	Rapoport Minor
2 1 1 1 2 1 1 2 1 1	Rapoport Major
13 tone modes of Bohlen-Pierce scale: octave is 3/1
3 3 3 3 1	BP Pentatonic
2 1 2 1 1 2 1 2 1	Delta, Moll I
1 2 1 2 1 1 2 1 2	Dur I, Delta inverse
1 2 1 2 1 1 2 2 1	Gamma
1 2 2 1 1 2 1 2 1	Gamma inverse
2 1 1 2 1 2 1 1 2	Dur II
2 1 1 2 1 2 1 2 1	Lambda
2 2 2 2 2 2 1	Krumhansl Heptatonic
1 2 1 2 1 2 1 1 2	Harmonic, Lambda inverse
1 2 1 2 1 2 1 2 1	Pierce, Moll II
3 1 2 1 3 2 1	Prooijen Major
2 1 3 1 2 3 1	Prooijen Minor
1 1 2 1 2 1 2 1 2	Walker A
1 2 1 1 2 1 2 1 2	Walker B
2 1 2 1 2 1 2 1 1	Walker I
2 1 2 1 2 1 1 2 1	Walker II
2 2 2 1 2 2 2	Sirius-7
1 3 1 3 1 3 1	Canopus-7
1 2 1 1 2 1 1 1 2 1	Canopus-10
1 4 1 1 1 4 1	Arcturus-7
1 1 3 1 1 1 3 1 1	Arcturus-10
14 tone equal mode:
2 3 2 2 3 2	Quasi-equal Hexatonic
2 1 2 1 2 1 2 2 1	Gould's Nonatonic
15 tone equal modes:
1 2 1 2 1 2 1 2 1 2	Blackwood Decatonic
4 1 4 1 4 1	Blackwood Hexatonic
3 2 1 3 2 3 1	Fifteen-tone "Major"
3 1 2 3 1 3 2	Fifteen-tone "Minor", Natural Minor
3 1 2 3 2 3 1	Fifteen-tone Melodic Minor
3 1 2 3 1 4 1	Fifteen-tone Harmonic Minor
3 2 1 3 1 4 1	Fifteen-tone Harmonic Major
3 1 1 1 3 1 1 2 1 1	Fifteen-tone Major/Minor mixed
1 2 1 1 1 2 1 1 1 1 2 1	Twelve-tone Chromatic
2 2 2 3 2 2 2	Fifteen-tone Miller's Porcupine-7
2 3 2 2 2 2 2	Fifteen-tone Miller's Porcupine-7 Major
1 3 2 3 1 1 2 2	Miller's Kusiro
2 2 1 2 2 2 2 2	Pentadecaphonic "Major", Jones's Porcupine-8
2 2 1 2 2 1 2 2 1	Rempt's Andal scale
16 tone equal modes:
2 2 2 1 2 2 2 2 1	Goldsmith, Agmon Diatonic DS3
1 3 1 3 1 3 1 3	Octatonic
2 2 3 2 2 2 3	Pseudo Pelog
2 2 1 2 2 2 2 1 2	Wilson
1 2 1 2 1 2 1 2 1 2 1	Op de Coul's 11-tone
1 2 1 1 2 1 1 2 1 1 2 1	Flavell's Blues
17 tone equal modes:
2 1 1 2 1 2 1 2 1 1 2 1	Twelve-tone Chromatic (2/11-comma positive)
3 3 1 3 3 3 1	Seventeen-tone Major
3 1 3 3 1 3 3	Seventeen-tone Natural Minor
3 1 3 3 3 3 1	Seventeen-tone Melodic Minor
3 1 3 3 1 5 1	Seventeen-tone Harmonic Minor
3 3 1 3 1 5 1	Seventeen-tone Harmonic Major
3 3 4 3 4	Seventeen-tone Major Pentatonic
4 3 3 4 3	Seventeen-tone Minor Pentatonic, Salendro Sejati: Sunda
3 4 3 4 3	Seventeen-tone Suspended Pentatonic
6 1 3 6 1	Pelog Degung Sejati: Sunda
6 1 6 3 1	Sorog Madenda Sejati: Sunda
2 5 3 2 5	Malaysian Pelog
17 tone modes of Arabic Pythagorean scale:
256/243 65536/59049 9/8 32/27 8192/6561 81/64 4/3 1024/729 262144/177147 3/2
128/81 32768/19683 27/16 16/9 4096/2187 1048576/531441 2/1
3 3 1 3 3 1 3	Safi al-Din's maqam `Ussaq
3 1 3 3 1 3 3	Safi al-Din's maqam Nawa
1 3 3 1 3 3 3	Safi al-Din's maqam Abu Salik
3 2 2 3 2 2 3	Safi al-Din's maqam Rast
2 3 2 2 3 2 2 1	Safi al-Din's maqam `Iraq
3 2 2 3 2 2 2 1	Safi al-Din's maqam Isfahan
2 2 3 2 2 1 3 2	Safi al-Din's maqam Zirafkand
2 3 2 2 1 3 2 2	Safi al-Din's maqam Buzurk
3 2 2 2 3 2 3	Safi al-Din's maqam Zangulah
2 3 2 2 2 3 3	Safi al-Din's maqam Rahawi
2 2 3 2 2 3 3	Safi al-Din's maqam Husaini
2 2 3 2 3 2 3	Safi al-Din's maqam Higazi
1 2 1 1 1 1 1 2 1 1 1 1 1 2	al-Kindi's mode
1 2 1 2 1 1 2 1 2 1 3	Ishaq al-Mausili's mode
17 tone modes of Persian scale:
256/243 27/25 9/8 32/27 243/200 81/64 4/3 25/18 36/25 3/2 128/81 81/50 27/16
16/9 729/400 243/128 2/1
3 3 1 3 3 3 1	Dastgah-e Mahur, Rast Panjgah
2 2 3 3 1 3 3	Dastgah-e Shur
2 3 3 1 3 3 2	Naghmeh Abuata, Naghmeh Afshari
3 3 1 3 3 2 2	Naghmeh Bayat-e Tork, Naghmeh Dashti
2 4 1 3 1 3 3	Dastgah-e Homayun
3 1 3 3 2 4 1	Naghmeh Esfahan
3 2 2 3 2 2 3	Dastgah-e Sehgah
2 3 2 2 3 3 2	Dastgah-e Sehgah
3 1 3 3 2 3 2	Dastgah-e Mokhalif, Bayat-e Esfahan
2 4 1 3 2 4 1	Dastgah-e Chahargah
3 1 3 3 2 2 3	Dastgah-e Nava
2 1 3 1 3 3 1 2 1	Hajdu non-octave mode
18 tone mode:
1 2 1 2 1 1 2 1 1 2 1 2 1	Wilson
19 tone modes:
5 4 5 5	Four out of 19
4 4 4 4 3	Five out of 19
3 3 5 3 5	Nineteen-tone Major Pentatonic
5 3 3 5 3	Nineteen-tone Minor Pentatonic
3 5 3 5 3	Nineteen-tone Suspended Pentatonic
4 4 3 4 4	Quasi-equal Pentatonic
3 3 3 3 3 4	Yasser's Hexad
3 3 2 3 3 3 2	Nineteen-tone Major
3 2 3 3 2 3 3	Nineteen-tone Natural Minor
3 2 3 3 3 3 2	Nineteen-tone Melodic Minor
3 2 3 3 2 4 2	Nineteen-tone Harmonic Minor
3 3 2 3 2 4 2	Nineteen-tone Harmonic Major
1 2 2 1 2 1 2 1 2 2 1 2	Meantone Chromatic (1/3-comma)
2 1 2 1 2 1 2 2 1 2 1 2	Genus diatonico-chromaticum
3 1 1 3 1 3 1 1 3 1 1	Keenan eleven out of 19
2 2 2 2 2 1 2 1 2 2 1	Krantz eleven out of 19
3 1 1 3 1 1 1 1 3 1 3	McLaren eleven out of 19
2 2 2 2 2 2 2 2 2 1	Negri's Ten Plus Nine
4 1 4 1 4 1 4	Oljare Diminished
5 1 5 1 1 5 1	Oljare Augmented
2 2 3 2 2 3 2 3	Oljare Octatonic
1 3 1 3 3 1 3 1 3	Oljare Pentaenharmonic
2 2 1 2 2 2 1 2 2 2 1	Gould Eleven out of 19
2 1 2 1 2 2 1 2 1 2 1 2	Yasser's Supradiatonic
1 2 5 1 2 5 3	Ratio 1:2 Chromatic Mixolydian
2 5 1 2 5 3 1	Ratio 1:2 Chromatic Lydian
5 1 2 5 3 1 2	Ratio 1:2 Chromatic Phrygian
1 2 5 3 1 2 5	Ratio 1:2 Chromatic Dorian
2 5 3 1 2 5 1	Ratio 1:2 Chromatic Hypolydian
5 3 1 2 5 1 2	Ratio 1:2 Chromatic Hypophrygian
3 1 2 5 1 2 5	Ratio 1:2 Chromatic Hypodorian
Joel Mandelbaum's 19 tone modes:
2 3 2 2 3 2 2 3	Eight out of 19
2 2 3 2 2 2 2 2 2	Nine out of 19
2 2 1 2 2 2 2 2 2 2	Ten out of 19
2 1 2 2 2 1 2 2 2 1 2	Eleven out of 19
1 2 1 2 2 1 2 1 2 1 2 2	Twelve out of 19
2 1 2 1 2 1 2 1 2 1 2 1 1	Thirteen out of 19
1 2 1 1 2 1 1 2 1 1 2 1 2 1	Fourteen out of 19
20 tone equal modes:
2 3 2 2 2 3 2 2 2	Balzano Nine-tone
2 2 2 2 1 2 2 2 2 2 1	Balzano Eleven-tone, Agmon Diatonic DS4
2 2 2 3 2 2 2 3 2	Balzano Nine-tone inverse
1 2 2 2 2 2 1 2 2 2 2	Balzano Eleven-tone inverse
2 3 2 3 2 3 2 3	Octatonic
3 2 3 2 3 2 3 2	Diminished
4 3 1 4 3 4 1	Twenty-tone "Major"
4 1 3 4 1 4 3	Twenty-tone "Minor"
2 2 1 2 1 2 2 1 2 2 2 1	Twelve-tone Chromatic
2 2 2 2 1 2 2 2 2 1 2	Zweifel Major
2 1 2 2 2 2 2 1 2 2 2	Zweifel Natural Minor
3 3 3 3 3 3 2	Major quasi-equal Heptatonic
3 2 3 3 3 3 3	Minor quasi-equal Heptatonic
3 2 2 2 2 3 2 2 2	Rothenberg Generalized Diatonic
3 4 1 4 3 3 2	Stearns Major
21 tone equal modes:
4 4 5 4 4	Quasi-equal Pentatonic
4 3 4 3 4 3	Quasi-equal Hexatonic
2 3 2 2 3 2 2 3 2	Quasi-equal Enneatonic
22 tone modes:
3 1 1 3 1 3 1 3 1 1 3 1	Twelve-tone Chromatic (1/3-comma positive)
4 4 1 4 4 4 1	Twenty-two tone Major
4 1 4 4 1 4 4	Twenty-two tone Minor
4 3 2 4 3 4 2	Twenty-two tone "Just" Major
4 2 3 4 2 4 3	Twenty-two tone Natural Minor
4 2 3 4 3 4 2	Twenty-two tone Melodic Minor
4 2 3 4 2 5 2	Twenty-two tone Harmonic Minor
4 3 2 4 2 5 2	Twenty-two tone Harmonic Major
2 3 2 3 2 3 2 3 2	Rezsutek's Percussion scale
4 1 1 1 4 1 1 1 4 1 1 1 1	Twenty-two tone Magic-13
3 2 3 2 3 2 3 2 2	Twenty-two tone Orwell
1 3 1 1 3 1 3 1 1 3 1 3	Twenty-two tone Superpythagorean
3 4 3 3 3 3 3	Twenty-two tone Miller's Porcupine-7 Major
3 3 1 3 3 3 3 3	Twenty-two tone Jones's Porcupine-8
3 1 3 2 2 2 3 2 2 2	Alternate Proper Decatonic
2 2 3 1 3 2 2 3 1 3	Exotic Symmetrical Decatonic
Paul Erlich's 22 tone equal modes:
2 2 3 2 2 2 3 2 2 2	Standard Pentachordal Major
2 2 3 2 2 2 2 3 2 2	Static Symmetrical Major
2 3 2 2 2 2 2 3 2 2	Alternate Pentachordal Major
2 3 2 2 2 2 3 2 2 2	Dynamic Symmetrical Major
2 2 2 3 2 2 2 2 2 3	Standard Pentachordal Minor
2 2 2 3 2 2 2 2 3 2	Static Symmetrical Minor
2 2 2 2 3 2 2 2 3 2	Alternate Pentachordal Minor
2 2 2 2 3 2 2 2 2 3	Dynamic Symmetrical Minor
4 3 3 3 3 3 3	Major quasi-equal Heptatonic
3 3 3 4 3 3 3	Minor quasi-equal Heptatonic, Miller's Porcupine-7
4 3 3 4 4 4	Harmonic Whole-Tone
4 3 4 4 3 4	"9-limit" Consonant Whole-Tone
6 3 1 3 6 3	Twenty-two tone Blues
5 4 4 5 4	Septimal Minor Pentatonic
22 tone modes of Indian shruti scale:
256/243 16/15 10/9 9/8 32/27 6/5 5/4 81/64 4/3 27/20 45/32 729/512 (or 64/45)
3/2 128/81 8/5 5/3 27/16 16/9 9/5 15/8 243/128 2/1
4 3 2 4 4 3 2	Shadja Grama, Murchhana Uttaramandra, Shuddha Swara Saptaka
[20] 2 4 3 2 4 4 3	Murchhana Rajani
[17] 3 2 4 3 2 4 4	Murchhana Uttarayata
4 3 2 4 3 2 4	Murchhana Suddhasadja, Raga Harikambhoji, Palaiyazh
4 4 3 2 4 3 2	Murchhana Asvakranta
3 2 4 4 3 2 4	Murchhana Abhirudgata, Kafi That, Raga Bageshri
4 3 2 4 3 4 2	Madhyama Grama, Bilaval That, Murchhana Suddhamadhya
[20] 2 4 3 2 4 3 4	Murchhana Margavi
3 4 2 4 3 2 4	Murchhana Hrishyaka
4 3 4 2 4 3 2	Murchhana Sauviri, Kalyan That
2 4 3 4 2 4 3	Murchhana Harinasva, Bhairavi That
[4] 3 2 4 3 4 2 4	Murchhana Kalopanata
3 2 4 3 3 3 4	Gandhaara Grama (Sarngadeva der. sa-grama)
3 2 4 3 2 4 4	Gandhaara Grama (Sarngadeva der. ma-grama)
4 2 4 3 3 3 3	Gandhaara Grama (Narada der. sa-grama)
4 2 4 3 2 4 3	Gandhaara Grama (Narada der. ma-grama), Murchhana Pauravi
4 2 3 4 2 4 3	Gandhaara Grama (Damodara), Raga Darbari, Darbari Kanada
2 4 3 3 3 4 3	Gandhaara Grama (Somanatha)
2 4 4 3 2 4 3	Gandhaara Grama (Popley), Murchhana Matsarikrita
4 2 3 4 2 2 2 3	Raga Anandabhairavi
1 4 4 4 1 5 3	Raga Asavari
4 2 3 4 2 3 4	Asavari That
2 5 6 2 5 2	Raga Bauli
1 6 2 4 1 7 1	Bhairav That
2 5 2 3 1 3 4 2	Raga Bhatiyar
4 3 2 3 1 4 4 1	Raga Bihag
1 4 4 4 1 4 4	Raga Bilashkhani Todi
4 3 6 4 5	Raga Bhupali
4 3 2 3 1 3 2 3 1	Raga Chayanat
3 4 6 3 6	Raga Deskar
4 5 4 4 5	Raga Durga
4 3 2 3 1 4 3 2	Raga Gaud Sarang
1 4 6 3 7 1	Raga Gurjari Todi
4 3 6 7 2	Raga Hamsadhvani
4 1 4 4 1 4 4	Raga Jaunpuri
3 4 2 4 3 4 2	Raga Jogiya
2 3 4 4 2 3 4	Raga Kanakangi
4 3 2 4 4 1 4	Khamaj That
4 3 2 4 3 2 3 1	Raga Khamaj
4 3 2 4 3 6	Raga Kambhoji
4 2 3 4 4 2 3	Raga Kharaharapriya, Bhimpalasi
1 6 2 2 3 7 1	Raga Lalita
6 3 6 3 4	Raga Malkauns
2 5 4 2 4 3 2	Raga Marva
4 2 3 4 4 2 2 1	Raga Mian Ki Malhar
3 2 4 4 2 1 2 4	Raga Mukhari
2 4 6 1 1 7 1	Raga Multani
2 5 5 1 3 4 2	Raga Puriya Kalyan
2 5 5 1 2 5 2	Purvi That, Raga Shri
4 2 2 1 4 4 2 2 1	Raga Ramdasi Malhar
1 6 2 1 3 1 6 2	Raga Ramkali
1 4 4 4 1 7 1	Raga Rampurmat Pilu
1 6 2 4 1 2 4 2	Raga Saurashtra
2 7 4 1 8	Raga Saveri
3 6 4 3 6	Raga Suddha Malhar
4 3 2 2 2 3 4 2	Raga Suddha Kalyan
6 3 4 2 5 2	Raga Takka
7 2 4 5 2 2	Raga Tilang
1 4 7 1 1 7 1	Todi That
1 4 7 1 1 6 2	Raga Varali
1 6 6 3 6	Raga Vibhas (marva)
4 4 4 1 4 4 1	Raga Yaman
4 3 2 3 1 3 5 1	Raga Yaman Kalyan
2 2 2 1 2 2 2 2 2 2 1 2	Modern Indian gamut
3 2 1 1 2 3 1 3 2 1 1 2	Old Indian gamut
22 tone mode of Tamil matra scale:
4 4 3 2 4 3 2	Seven-tone gamut (saptaka)
23 tone mode:
1 3 3 3 1 3 3 3 3	Twenty-three Tone Pelogic
2 2 1 2 2 1 2 2 1 2 2 1 2 1	Twenty-three Tone Superpelog
3 2 3 2 3 2 3 2 3	Stearns Nonatonic
3 3 1 3 3 3 3 1 3	Wilson
24 tone modes:
1 1 8 1 1 8 4	Enharmonic Mixolydian
1 8 1 1 8 4 1	Enharmonic Lydian
8 1 1 8 4 1 1	Enharmonic Phrygian
1 1 8 4 1 1 8	Enharmonic Dorian
1 8 4 1 1 8 1	Enharmonic Hypolydian
8 4 1 1 8 1 1	Enharmonic Hypophrygian
4 1 1 8 1 1 8	Enharmonic Hypodorian
2 3 5 2 3 5 4	Soft Diatonic Mixolydian
3 5 2 3 5 4 2	Soft Diatonic Lydian
5 2 3 5 4 2 3	Soft Diatonic Phrygian
2 3 5 4 2 3 5	Soft Diatonic Dorian
3 5 4 2 3 5 2	Soft Diatonic Hypolydian
5 4 2 3 5 2 3	Soft Diatonic Hypophrygian
4 2 3 5 2 3 5	Soft Diatonic Hypodorian
3 3 4 3 3 4 4	Maqam Ouchairan-Hussaini, Bayatan, Neutral Diatonic Mixolydian
3 4 3 3 4 4 3	Dastgah-e Sehgah, Neutral Diatonic Lydian
4 3 3 4 4 3 3	Arabic Diatonic, Maqam Rast, Quasi-equal Heptatonic, Neutral Diatonic Phrygian
3 3 4 4 3 3 4	Maqam Hussaini, Ushaq, Neutral Diatonic Dorian
3 4 4 3 3 4 3	Maqam Sikah (Segah), Neutral Diatonic Hypolydian
4 4 3 3 4 3 3	Neutral Diatonic Hypophrygian
4 3 3 4 3 3 4	Miha'il Musaqa's mode: Egypt, Neutral Diatonic Hypodorian, Dastgah-e Sehgah, Maqam Nairuz
1 5 4 1 5 4 4	Diatonic + Enharmonic Diesis Mixolydian
5 4 1 5 4 4 1	Diatonic + Enharmonic Diesis Lydian
4 1 5 4 4 1 5	Diatonic + Enharmonic Diesis Phrygian
1 5 4 4 1 5 4	Diatonic + Enharmonic Diesis Dorian
5 4 4 1 5 4 1	Diatonic + Enharmonic Diesis Hypolydian
4 4 1 5 4 1 5	Diatonic + Enharmonic Diesis Hypophrygian
4 1 5 4 1 5 4	Diatonic + Enharmonic Diesis Hypodorian
1 3 6 1 3 6 4	Chromatic/Enharmonic Mixolydian
3 6 1 3 6 4 1	Chromatic/Enharmonic Lydian
6 1 3 6 4 1 3	Chromatic/Enharmonic Phrygian
1 3 6 4 1 3 6	Chromatic/Enharmonic Dorian
3 6 4 1 3 6 1	Chromatic/Enharmonic Hypolydian
6 4 1 3 6 1 3	Chromatic/Enharmonic Hypophrygian
4 1 3 6 1 3 6	Chromatic/Enharmonic Hypodorian
3 4 3 3 4 3 4	Neutral Mixolydian
4 3 3 4 3 4 3	Neutral Lydian
3 3 4 3 4 3 4	Neutral Phrygian
3 4 3 4 3 4 3	Neutral Dorian, Misaelides 2nd Byzantine mode, Maqam Sikah Baladi
4 3 4 3 4 3 3	Neutral Hypolydian
3 4 3 4 3 3 4	Neutral Hypophrygian
4 3 4 3 3 4 3	Neutral Hypodorian
3 5 2 4 3 5 2	Athanasopoulos' Byzantine Liturgical Chromatic, Dastgah-e Chahargah
4 2 4 4 3 3 4	Dastgah-e Nava, Maqam Ushaq Masri
2 7 1 4 2 7 1	Second plagal Byzantine Liturgical mode
5 5 4 5 5	Quasi-equal Pentatonic
3 3 4 4 2 4 4	Maqam 'Ushshaq Turki, Urfa, Isfahan, Dastgah-e Shur
3 3 4 4 2 1 3 4	Maqam Bayati
3 3 4 4 4 2 4	Maqam Nahfat
3 3 2 6 2 4 4	Maqam Saba
3 3 2 6 2 4 2 2	Maqam Saba
3 3 2 6 2 6 2	Maqam Sabr Jadid
3 3 2 2 4 3 3 4	Maqam Mansuri
4 3 3 4 2 6 2	Maqam Suznak (Soznak)
4 3 3 4 4 2 1 3	Maqam Rast, Dilkashidah, Dilnishin
4 3 3 4 4 4 2	Maqam Mahur
4 3 1 2 1 3 4 2 1 3	Maqam Yakah
4 3 1 2 4 4 2 4	Maqam Suzidil 'ara
3 3 4 2 6 2 4	Maqam Qarjighar, Bayati Shuri
3 4 2 2 2 2 2 4 3	Maqam Huzam
3 4 2 6 2 4 3	Maqam Hizam (Huzam, El Houzam), Rahat al Arouah
3 4 2 6 2 4 2 1	Maqam Rahat al-Arwah
3 4 3 3 4 4 2 1	Maqam Iraq
2 6 2 4 2 1 3 4	Maqam Hijaz
3 4 4 2 1 3 4 3	Maqam Musta'ar
3 4 4 4 2 4 2 1	Maqam Farahnak
3 4 3 3 2 6 2 1	Maqam Bastanikar, Tarz Nuin
4 2 6 2 4 2 1 3	Maqam Farah Faza, Maqam Nakriz
4 2 1 3 2 2 2 2 3 1 2	Maqam Hayyan
4 2 1 3 2 2 4 2 1 3	Maqam Basandida
4 4 2 1 3 2 2 4 2	Maqam Shawq Afza
2 1 3 2 2 4 2 4 2 2	Maqam Shawq Tarab
3 1 2 4 4 2 4 4	Maqam Jabburi
2 4 4 4 3 3 4	Maqam Nawa
2 5 3 4 2 5 3	Maqam Higaz-kar
3 4 4 2 4 4 3	Maqam Su'ar, Naghmeh Abuata, Naghmeh Afshari
4 4 2 4 4 3 3	Maqam Jahargah (Jiharkah), Naghmeh Bayat-e Tork, Naghmeh Dashti
3 5 2 4 2 4 4	Dastgah-e Homayun
4 2 4 4 3 5 2	Naghmeh Esfahan
3 6 1 5 2 6 1	Maqam 'Awg 'ara (Aug-ara)
4 1 5 4 2 6 2	Maqam Buselik
4 2 6 2 2 5 3	Maqam Neuter
2 8 3 6 5	Anchihoye: Ethiopia
4 3 3 4 4 2 4	Dance scale of Yi people: China
4 4 2 3 1 4 6	Daniel-mode of Spanish-Arab Jews
1 2 2 2 2 2 2 1 2 2 2 2 2	de Vries 13-tone
4 1 4 1 4 1 4 1 4	de Vries 9-tone
9 2 2 9 2	de Vries 5-tone
3 7 4 3 7	Spondeion
1 1 8 4 2 8	Spondeiakos
1 2 3 4 4 1 2 3 4	Progressive Enneatonic
2 3 2 3 2 2 3 2 3 2	Young Decatonic
2 2 1 2 2 2 1 2 2 1 2 2 2 1	Young Half-Octave Diatonic
3 1 3 3 3 1 3 3 1 3	Breed Decatonic
2 3 2 2 3 2 3 2 2 3	Oljare Decatonic
2 2 2 2 2 1 2 2 2 2 2 2 1	Agmon Diatonic DS5
25 tone equal modes:
4 4 2 5 4 4 2	Twenty-five tone "Major"
4 2 4 5 2 4 4	Twenty-five tone "Minor"
26 tone equal modes:
1 3 3 1 3 1 3 1 3 3 1 3	Meantone Chromatic (4/9-comma)
4 4 3 4 4 4 3	Twenty-six tone Major
4 3 4 4 3 4 4	Twenty-six tone Natural Minor
4 3 4 4 4 4 3	Twenty-six tone Melodic Minor
4 3 4 4 3 5 3	Twenty-six tone Harmonic Minor
4 4 3 4 3 5 3	Twenty-six tone Harmonic Major
5 5 6 5 5	Quasi-equal Pentatonic
3 2 3 2 3 3 2 3 2 3	Lemba Decatonic
Paul Erlich's 26 tone equal modes:
2 2 2 2 2 2 1 2 2 2 2 2 1 2	Static Major
2 2 2 2 2 1 2 2 2 2 2 2 2 1	Dynamic Major
2 1 2 2 2 2 2 2 2 1 2 2 2 2	Static Minor
2 2 1 2 2 2 2 2 1 2 2 2 2 2	Dynamic Minor
2 2 2 2 2 2 1 2 2 2 2 2 2 1	Erlich Double Diatonic
2 2 2 2 2 2 2 1 2 2 2 2 2 1	Injera
27 tone equal modes:
5 4 2 5 4 5 2	Twenty-seven tone "Major"
5 2 4 5 2 5 4	Twenty-seven tone "Minor"
7 2 7 2 7 2	Twenty-seven tone Augmented
5 4 5 4 5 4	Quasi-equal Hexatonic
28 tone equal mode:
2 5 2 5 2 5 2 5	Octatonic
3 4 3 4 3 4 3 4	Quasi-equal Octatonic
29 tone equal modes:
3 2 2 3 2 3 2 3 2 2 3 2	Twelve-tone Chromatic (1/14-comma positive)
5 5 2 5 5 5 2	Twenty-nine tone Major
5 2 5 5 2 5 5	Twenty-nine tone Minor
5 3 4 5 3 5 4	Twenty-nine tone Natural Minor
5 3 4 5 4 5 3	Twenty-nine tone Melodic Minor
5 3 4 5 3 6 3	Twenty-nine tone Harmonic Minor
5 4 3 5 3 6 3	Twenty-nine tone Harmonic Major
5 4 3 5 4 5 3	Twenty-nine tone "Just" Major
2 3 2 2 3 2 3 2 2 3 2 3	Twenty-nine tone Schismic
6 6 5 6 6	Quasi-equal Pentatonic
3 3 3 2 3 3 3 3 3 3	Keenan Decatonic
30 tone equal modes:
5 5 2 6 5 5 2	Thirty tone "Major"
5 2 5 6 2 5 5	Thirty tone "Minor"
10 3 10 5 2	Madenda: Sunda
31 tone equal modes:
2 3 3 2 3 2 3 2 3 3 2 3	Meantone Chromatic (53/220-comma)
5 5 3 5 5 5 3	Thirty-one tone Major, Intense Diatonic Lydian, M.Ionian
5 3 5 5 3 5 5	Thirty-one tone Natural Minor, Intense Diatonic Hypodorian, Aeolian
5 3 5 5 5 5 3	Thirty-one tone Melodic Minor
5 3 5 5 3 7 3	Thirty-one tone Harmonic Minor
5 5 3 5 3 7 3	Thirty-one tone Harmonic Major
5 5 3 5 3 5 5	Thirty-one tone Major-Minor
5 8 5 13	Genus primum
10 3 5 5 5 3	Genus secundum
8 2 8 3 7 3	Genus tertium
10 10 10 1	Genus quartum
5 7 6 7 5 1	Genus quintum
4 6 2 6 4 3 3 3	Genus sextum
4 6 5 6 4 6	Genus septimum
6 6 6 1 6 6	Genus octavum
4 6 9 6 4 2	Genus nonum
13 6 6 6	Genus decimum
5 5 3 5 5 3 2 3	Genus diatonicum
3 5 2 3 5 3 2 5 3	Genus chromaticum
5 5 2 1 5 5 2 3 3	Genus diatonicum cum septimis
3 4 3 3 2 1 4 1 4 1 2 3	Genus enharmonicum vocale
2 2 4 2 2 3 3 3 1 3 3 3	Genus enharmonicum instrumentale
3 2 3 2 3 2 3 3 2 3 2 3	Genus diatonico-chromaticum
5 2 1 2 5 3 2 1 4 1 2 3	Genus bichromaticum
4 4 5 4 4 5 5	Neutral Diatonic Mixolydian
4 5 4 4 5 5 4	Neutral Diatonic Lydian
5 4 4 5 5 4 4	Neutral Diatonic Phrygian
4 4 5 5 4 4 5	Neutral Diatonic Dorian
4 5 5 4 4 5 4	Neutral Diatonic Hypolydian
5 5 4 4 5 4 4	Neutral Diatonic Hypophrygian
5 4 4 5 4 4 5	Neutral Diatonic Hypodorian
4 5 4 4 5 4 5	Neutral Mixolydian
5 4 4 5 4 5 4	Neutral Lydian
4 4 5 4 5 4 5	Neutral Phrygian
4 5 4 5 4 5 4	Neutral Dorian
5 4 5 4 5 4 4	Neutral Hypolydian
4 5 4 5 4 4 5	Neutral Hypophrygian
5 4 5 4 4 5 4	Neutral Hypodorian
2 2 9 2 2 9 5	Hemiolic Chromatic Mixolydian
2 9 2 2 9 5 2	Hemiolic Chromatic Lydian
9 2 2 9 5 2 2	Hemiolic Chromatic Phrygian
2 2 9 5 2 2 9	Hemiolic Chromatic Dorian
2 9 5 2 2 9 2	Hemiolic Chromatic Hypolydian
9 5 2 2 9 2 2	Hemiolic Chromatic Hypophrygian
5 2 2 9 2 2 9	Hemiolic Chromatic Hypodorian
2 3 8 2 3 8 5	Ratio 2:3 Chromatic Mixolydian
3 8 2 3 8 5 2	Ratio 2:3 Chromatic Lydian
8 2 3 8 5 2 3	Ratio 2:3 Chromatic Phrygian
2 3 8 5 2 3 8	Ratio 2:3 Chromatic Dorian
3 8 5 2 3 8 2	Ratio 2:3 Chromatic Hypolydian
8 5 2 3 8 2 3	Ratio 2:3 Chromatic Hypophrygian
5 2 3 8 2 3 8	Ratio 2:3 Chromatic Hypodorian
3 5 5 3 5 5 5	Intense Diatonic Mixolydian, M.Locrian
5 3 5 5 5 3 5	Intense Diatonic Phrygian, M.Dorian
3 5 5 5 3 5 5	Intense Diatonic Dorian, M.Phrygian
5 5 5 3 5 5 3	Intense Diatonic Hypolydian, M.Lydian
5 5 3 5 5 3 5	Intense Diatonic Hypophrygian, M.Mixolydian
2 5 6 2 5 6 5	Soft Diatonic Mixolydian
5 6 2 5 6 5 2	Soft Diatonic Lydian
6 2 5 6 5 2 5	Soft Diatonic Phrygian
2 5 6 5 2 5 6	Soft Diatonic Dorian
5 6 5 2 5 6 2	Soft Diatonic Hypolydian
6 5 2 5 6 2 5	Soft Diatonic Hypophrygian
5 2 5 6 2 5 6	Soft Diatonic Hypodorian
1 2 10 1 2 10 5	Enharmonic Mixolydian
2 10 1 2 10 5 1	Enharmonic Lydian
10 1 2 10 5 1 2	Enharmonic Phrygian
1 2 10 5 1 2 10	Enharmonic Dorian
2 10 5 1 2 10 1	Enharmonic Hypolydian
10 5 1 2 10 1 2	Enharmonic Hypophrygian
5 1 2 10 1 2 10	Enharmonic Hypodorian
6 6 7 6 6	Quasi-equal Pentatonic
3 2 2 3 3 2 3 3 2 2 3 3	Fokker 12-tone
5 3 5 3 5 2 5 3	Modus conjunctus
3 5 2 5 3 5 3 5	Octatonic
3 3 4 3 5 3 4 3 3	Hahn symmetric pentachordal
3 4 3 3 5 3 4 3 3	Hahn pentachordal
4 4 2 5 3 3 4 3 3	Hahn Nonatonic
5 1 5 1 5 1 5 1 5 1 1	de Vries 11-tone
4 1 4 4 4 1 4 4 1 4	Breed 10-tone
4 2 4 2 4 2 4 3 3 3	Lumma Decatonic
5 3 3 3 3 5 3 3 3	Rothenberg Generalized Diatonic
5 2 6 5 2 5 6	"Septimal" Natural Minor
4 3 4 3 4 3 4 3 3	Thirty-one tone Orwell
2 5 2 2 5 2 2 2 5 2 2	Secor Sentinel
32 tone equal modes:
6 4 3 6 4 6 3	Thirty-two tone "Major"
6 3 4 6 3 6 4	Thirty-two tone "Minor"
3 5 3 5 3 5 3 5	Octatonic
34 tone equal modes:
3 3 3 2 3 3 3 3 2 3 3 3	"Just" Chromatic
6 5 3 6 5 6 3	Thirty-four tone "Just" Major
6 3 5 6 3 6 5	Thirty-four tone Natural Minor
6 3 5 6 5 6 3	Thirty-four tone Melodic Minor
6 3 5 6 3 8 3	Thirty-four tone Harmonic Minor
6 5 3 6 3 8 3	Thirty-four tone Harmonic Major
7 7 6 7 7	Quasi-equal Pentatonic
2 7 2 7 2 7 7	Thirty-four tone Kleismic-7
2 2 5 2 5 2 2 5 2 2 5	Thirty-four tone Kleismic-11
2 5 2 5 2 2 5 2 2 5 2	Wilson 11-tone
36 tone equal modes:
1 1 13 1 1 13 6	Hyperenharmonic Mixolydian
1 13 1 1 13 6 1	Hyperenharmonic Lydian
13 1 1 13 6 1 1	Hyperenharmonic Phrygian
1 1 13 6 1 1 13	Hyperenharmonic Dorian
1 13 6 1 1 13 1	Hyperenharmonic Hypolydian
13 6 1 1 13 1 1	Hyperenharmonic Hypophrygian
6 1 1 13 1 1 13	Hyperenharmonic Hypodorian
2 2 11 2 2 11 6	Soft Chromatic Mixolydian
2 11 2 2 11 6 2	Soft Chromatic Lydian
11 2 2 11 6 2 2	Soft Chromatic Phrygian
2 2 11 6 2 2 11	Soft Chromatic Dorian
2 11 6 2 2 11 2	Soft Chromatic Hypolydian
11 6 2 2 11 2 2	Soft Chromatic Hypophrygian
6 2 2 11 2 2 11	Soft Chromatic Hypodorian
2 4 9 2 4 9 6	Ratio 1:2 Chromatic Mixolydian
4 9 2 4 9 6 2	Ratio 1:2 Chromatic Lydian
9 2 4 9 6 2 4	Ratio 1:2 Chromatic Phrygian
2 4 9 6 2 4 9	Ratio 1:2 Chromatic Dorian
4 9 6 2 4 9 2	Ratio 1:2 Chromatic Hypolydian
9 6 2 4 9 2 4	Ratio 1:2 Chromatic Hypophrygian
6 2 4 9 2 4 9	Ratio 1:2 Chromatic Hypodorian
5 5 5 5 5 5 6	Equal Diatonic Mixolydian
5 5 5 5 5 6 5	Equal Diatonic Lydian
5 5 5 5 6 5 5	Equal Diatonic Phrygian
5 5 5 6 5 5 5	Equal Diatonic Dorian
5 5 6 5 5 5 5	Equal Diatonic Hypolydian
5 6 5 5 5 5 5	Equal Diatonic Hypophrygian
6 5 5 5 5 5 5	Equal Diatonic Hypodorian
2 7 6 2 7 6 6	Diatonic + Soft Chromatic Diesis Mixolydian
7 6 2 7 6 6 2	Diatonic + Soft Chromatic Diesis Lydian
6 2 7 6 6 2 7	Diatonic + Soft Chromatic Diesis Phrygian
2 7 6 6 2 7 6	Diatonic + Soft Chromatic Diesis Dorian
7 6 6 2 7 6 2	Diatonic + Soft Chromatic Diesis Hypolydian
6 6 2 7 6 2 7	Diatonic + Soft Chromatic Diesis Hypophrygian
6 2 7 6 2 7 6	Diatonic + Soft Chromatic Diesis Hypodorian
4 7 4 6 4 7 4	Savas Soft Chromatic 2nd Byzantine mode
4 6 5 6 4 6 5	Savas Diatonic Byzantine Liturgical mode
4 8 3 6 4 8 3	Savas Enharmonic Byzantine Liturgical mode
3 10 2 6 3 10 2	Hard Chromatic 2nd plagal Byzantine mode
7 7 8 7 7	Quasi-equal Pentatonic
5 4 6 6 5 4 6	First plagal Byzantine Liturgical mode
6 5 4 6 6 5 4	Fourth plagal Byzantine Liturgical mode
4 5 4 5 4 5 4 5	Quasi-equal Octatonic
3 4 4 3 4 4 3 3 4 4	Bohlen's 833 cents Golden scale
Persian modes as 36 tone equal modes:
4 5 6 4 2 3 1 5 6	Dastgah-e Shur
4 5 6 6 3 1 5 6	Dastgah-e Abuata
3 1 5 6 4 2 3 1 5 6	Dastgah-e Dashti
3 3 6 3 6 6 4 5	Dastgah-e Bayat-e Tork
6 4 5 6 4 2 3 1 5	Dastgah-e Afshari
5 6 4 5 1 5 6 4	Dastgah-e Segah
4 8 3 6 4 8 3	Dastgah-e Chahargah
4 8 3 6 3 1 5 6	Dastgah-e Homayun
6 3 6 6 4 6 5	Dastgah-e Bayat-e Esfahan
6 3 6 6 4 5 6	Dastgah-e Nava
6 6 3 6 6 3 3 3	Dastgah-e Mahur, Rast (Rast Panjgah)
37 tone equal mode:
5 5 5 7 5 5 5	Thirty-seven tone Miller's Porcupine-7
5 7 5 5 5 5 5	Thirty-seven tone Miller's Porcupine-7 Major
5 5 5 5 5 5 5 2	Thirty-seven tone Miller's Porcupine-8
39 tone mode:
2 5 5 5 2 5 5 5 5	Thirty-nine Tone Pelogic
40 tone mode:
4 5 13 4 14	Surupan Melog jawar: Java
5 4 14 4 13	Surupan Miring: Java
5 4 13 5 13	Surupan Ajeng: Java
3 7 3 7 3 7 3 7	Octatonic
41 tone equal modes:
4 3 3 4 3 4 3 4 3 3 4 3	Twelve-tone Chromatic (1/44-comma positive)
4 3 4 2 4 3 4 4 2 4 3 4	"Just" Chromatic
7 7 3 7 7 7 3	Forty-one tone Major
7 3 7 7 3 7 7	Forty-one tone Minor
7 6 4 7 6 7 4	Forty-one tone "Just" Major
7 4 6 7 4 6 7	Forty-one tone Natural Minor
7 4 6 7 6 7 4	Forty-one tone Melodic Minor
7 4 6 7 4 9 4	Forty-one tone Harmonic Minor
7 6 4 7 4 9 4	Forty-one tone Harmonic Major
3 4 3 3 4 3 4 3 3 4 3 4	Forty-one tone Schismic
11 2 11 2 2 11 2	Forty-one tone Magic-7
9 2 2 2 9 2 2 9 2 2	Forty-one tone Magic-10
7 2 2 2 7 2 2 2 7 2 2 2 2	Forty-one tone Magic-13
43 tone equal modes:
3 4 4 3 4 3 4 3 4 4 3 4	Meantone Chromatic (1/5-comma)
7 7 4 7 7 7 4	Forty-three tone Major
7 4 7 7 4 7 7	Forty-three tone Natural Minor
7 4 7 7 7 7 4	Forty-three tone Melodic Minor
7 4 7 7 4 10 4	Forty-three tone Harmonic Minor
7 7 4 7 4 10 4	Forty-three tone Harmonic Major
3 3 12 3 3 12 7	Parachromatic Mixolydian
3 12 3 3 12 7 3	Parachromatic Lydian
12 3 3 12 7 3 3	Parachromatic Phrygian
3 3 12 7 3 3 12	Parachromatic Dorian
3 12 7 3 3 12 3	Parachromatic Hypolydian
12 7 3 3 12 3 3	Parachromatic Hypophrygian
7 3 3 12 3 3 12	Parachromatic Hypodorian
3 6 9 3 6 9 7	Soft Diatonic Mixolydian
6 9 3 6 9 7 3	Soft Diatonic Lydian
9 3 6 9 7 3 6	Soft Diatonic Phrygian
3 6 9 7 3 6 9	Soft Diatonic Dorian
6 9 7 3 6 9 3	Soft Diatonic Hypolydian
9 7 3 6 9 3 6	Soft Diatonic Hypophrygian
7 3 6 9 3 6 9	Soft Diatonic Hypodorian
44 tone equal mode:
4 7 4 7 4 7 4 7	Octatonic
45 tone equal modes:
2 5 5 2 5 2 5 2 5 5 2 5	Meantone Chromatic (2/5-comma)
7 7 5 7 7 7 5	Forty-five tone Major
7 5 7 7 5 7 7	Forty-five tone Minor
46 tone equal modes:
5 3 3 5 3 5 3 5 3 3 5 3	Twelve-tone Chromatic (1/9-comma positive)
4 4 4 3 4 4 4 4 3 4 4 4	"Just" Chromatic
8 7 4 8 7 8 4	Forty-six tone "Just" Major
8 4 7 8 4 8 7	Forty-six tone Natural Minor
8 4 7 8 7 8 4	Forty-six tone Melodic Minor
8 4 7 8 4 11 4	Forty-six tone Harmonic Minor
8 7 4 8 4 11 4	Forty-six tone Harmonic Major
3 9 3 7 5 7 3 9	Smith's Star
5 7 3 9 3 7 5 7	Smith's Nova
4 4 7 4 4 4 4 7 4 4	Symmetrical Decatonic
48 tone equal modes:
3 3 14 3 3 14 8	Hemiolic Chromatic Mixolydian
3 14 3 3 14 8 3	Hemiolic Chromatic Lydian
14 3 3 14 8 3 3	Hemiolic Chromatic Phrygian
3 3 14 8 3 3 14	Hemiolic Chromatic Dorian
3 14 8 3 3 14 3	Hemiolic Chromatic Hypolydian
14 8 3 3 14 3 3	Hemiolic Chromatic Hypophrygian
8 3 3 14 3 3 14	Hemiolic Chromatic Hypodorian
5 5 10 5 5 10 8	Soft Diatonic Mixolydian
5 10 5 5 10 8 5	Soft Diatonic Lydian
10 5 5 10 8 5 5	Soft Diatonic Phrygian
5 5 10 8 5 5 10	Soft Diatonic Dorian
5 10 8 5 5 10 5	Soft Diatonic Hypolydian
10 8 5 5 10 5 5	Soft Diatonic Hypophrygian
8 5 5 10 5 5 10	Soft Diatonic Hypodorian
3 9 8 3 9 8 8	Diatonic + Hemiolic Chromatic Diesis Mixolydian
9 8 3 9 8 8 3	Diatonic + Hemiolic Chromatic Diesis Lydian
8 3 9 8 8 3 9	Diatonic + Hemiolic Chromatic Diesis Phrygian
3 9 8 8 3 9 8	Diatonic + Hemiolic Chromatic Diesis Dorian
9 8 8 3 9 8 3	Diatonic + Hemiolic Chromatic Diesis Hypolydian
8 8 3 9 8 3 9	Diatonic + Hemiolic Chromatic Diesis Hypophrygian
8 3 9 8 3 9 8	Diatonic + Hemiolic Chromatic Diesis Hypodorian
5 5 5 5 8 5 5 5 5	Quasi-equal Enneatonic
5 5 5 3 5 5 5 5 5 5	Forty-eight tone Keenan Decatonic
5 5 5 5 5 3 5 5 5 5	Forty-eight tone Lumma Decatonic
50 tone equal modes:
3 5 5 3 5 3 5 3 5 5 3 5	Meantone Chromatic (2/7-comma)
8 8 5 8 8 8 5	Fifty tone Major
8 5 8 8 5 8 8	Fifty tone Natural Minor
8 5 8 8 8 8 5	Fifty tone Melodic Minor
8 5 8 8 5 11 5	Fifty tone Harmonic Minor
8 8 5 8 5 11 5	Fifty tone Harmonic Major
53 tone equal modes:
5 4 5 3 5 4 5 5 3 5 4 5	"Just" Chromatic
5 4 4 5 4 5 4 5 4 4 5 4	Meantone Chromatic (1/315-comma)
9 8 5 9 8 9 5	Fifty-three tone "Just" Major
9 5 8 9 5 9 8	Fifty-three tone "Just" Minor
9 5 8 9 5 8 9	Fifty-three tone Natural Minor
9 5 8 9 8 9 5	Fifty-three tone Melodic Minor
9 5 8 9 5 12 5	Fifty-three tone Harmonic Minor
9 8 5 9 5 12 5	Fifty-three tone Harmonic Major
3 11 3 11 3 11 11	Fifty-three tone Kleismic-7
3 3 8 3 8 3 3 8 3 3 8	Fifty-three tone Kleismic-11
4 5 4 4 5 4 5 4 4 5 4 5	Fifty-three tone Schismic
53 tone equal modes with Turkish makams:
9 8 5 9 9 4 4 5	Makam Rast
9 4 9 9 4 9 9	Makam Nihavend, Muberka, Fifty-three tone Minor
9 8 5 9 8 5 4 5	Makam Yegah
9 8 5 9 8 1 4 4 5	Makam Yegah
9 8 5 9 9 8 5	Makam Sazkar
9 4 9 9 4 9 4 5	Makam Sultaniyegah, Ruhnevaz
4 9 9 9 4 9 9	Makam Ferahnuma, Askefza, Acem Kurdi
5 12 5 9 5 8 4 5	Makam Sedaraban
8 5 9 8 5 9 9	Makam Huseyniasiran
5 12 5 9 4 4 5 4 5	Makam Suzidil
9 9 4 4 5 9 9 4	Makam Acemasiran
9 5 4 4 4 5 5 13 4	Makam Sevkefza
5 9 8 5 9 9 4 4	Makam Iraq
5 9 8 5 4 5 9 4 4	Makam Evic, Segah
5 9 8 1 4 4 5 9 4 4	Makam Ferahnak
5 13 4 9 5 13 4	Makam Evicara (Evcara)
9 9 4 9 9 4 5 4	Makam Mahur
9 5 4 4 4 5 9 4 5 4	Makam Suzidilara
9 9 4 4 5 9 4 4 5	Makam Buzurk
5 4 4 4 5 9 4 9 9	Makam Suzinak
5 12 5 5 4 4 4 5 9	Makam Zirguleli Suzinak
5 12 5 9 5 3 5 4 5	Makam Hicazkar
4 1 4 4 4 5 9 4 4 5 9	Makam Kurdilihicazkar
9 4 9 5 4 4 5 8 5	Makam Nihavend (Nihavent)
9 5 12 5 5 12 5	Makam Neveser
9 5 12 5 9 4 4 5	Makam Nikriz
8 5 9 9 4 4 5 9	Makam Huseyni, Muhayyer, Neva, Gerdaniye, Tahir
8 5 9 5 4 4 4 5 9	Makam Gulizar, Beyati (Bayati), Karcigar
8 5 9 9 4 9 9	Makam Ussak, Acem, Arazbar
8 1 4 4 5 9 4 9 9	Makam Isfahan
4 4 1 4 9 4 5 4 9 9	Makam Kurdi
9 4 9 5 4 4 4 5 4 5	Makam Buselik (Puselik)
9 4 9 9 4 13 5	Makam Sehnaz Buselik
8 5 9 5 3 1 4 4 5 9	Makam Arazbar
5 12 5 9 4 4 5 9	Makam Hicaz, Uzzal, Humayun
5 12 5 9 4 1 8 4 5	Makam Zirgule
5 12 5 9 4 1 3 5 4 5	Makam Sehnaz
8 5 5 13 4 9 9	Makam Saba, Sunbule
8 5 5 13 4 4 5 5 4	Makam Kucek
8 5 5 4 9 4 4 5 4 5	Makam Eski Sipihr
4 4 5 4 1 13 4 9 9	Makam Dugah
8 5 9 4 5 4 1 8 4 5	Makam Hisar
5 3 5 4 5 4 5 4 1 3 5 4 5	Makam Yeni Sipihr
9 8 5 9 5 8 9	Makam Nisaburek
5 9 5 12 5 9 4 4	Makam Huzzam
9 5 8 9 5 9 4 4	Makam Mustear
5 9 8 1 4 9 9 8	Makam Maye (Yeni Maye)
1 4 9 8 5 9 9 3 5	Makam Vechi Arazbar
8 5 9 4 9 9 4 5	Makam Nisabur
5 13 4 9 5 12 5	Makam Cargah I
9 9 4 9 9 9 4	Makam Cargah II, Zavil, Fifty-three tone Major, Dastgah-e Mahur
5 8 13 5 5 8 4 5	Makam Araban
9 8 5 9 9 5 8	Makam Urmawi
9 4 13 5 4 13 5	Makam Rengidil
5 9 8 5 9 9 8	Makam Arak
7 1 5 9 9 4 9 9	Makam Necid Huseyni, Huzi
Persian modes as 53 tone equal modes:
6 7 9 9 4 9 9	Dastgah-e Shur
6 7 9 6 3 4 2 7 9	Dastgah-e Shur
6 7 9 9 4 2 7 9	Dastgah-e Abuata
4 2 7 9 6 3 4 2 7 9	Dastgah-e Dashti
6 3 9 4 9 9 6 7	Dastgah-e Bayat-e Tork
9 6 7 9 6 3 4 2 7	Dastgah-e Afshari
6 12 4 9 4 2 7 9	Dastgah-e Homayun
9 9 4 9 9 4 5 4	Dastgah-e Mahur, Rast (Rast Panjgah)
6 9 10 3 9 9 7	Naghmeh Abuata, Naghmeh Afshari
9 9 4 9 9 6 7	Naghmeh Bayat-e Tork, Naghmeh Dashti
9 4 9 9 6 12 4	Naghmeh Esfahan
9 6 7 2 7 9 6 Dastgah-e Sehgah
9 6 7 9 6 7 9	Dastgah-e Sehgah
6 9 7 6 9 9 7	Dastgah-e Sehgah
9 4 9 9 6 9 7	Dastgah-e Mokhalif, Bayat-e Esfahan
6 12 4 9 6 12 4	Dastgah-e Chahargah
9 4 9 9 6 7 9	Dastgah-e Nava
55 tone equal modes:
4 5 5 4 5 4 5 4 5 5 4 5	Meantone Chromatic (1/6-comma)
5 4 5 4 5 5 4 5 4 5 4 5	Sauveur's Musician's System
9 9 5 9 9 9 5	Fifty-five tone Major
9 5 9 9 5 9 9	Fifty-five tone Natural Minor
9 5 9 9 9 9 5	Fifty-five tone Melodic Minor
9 5 9 9 5 13 5	Fifty-five tone Harmonic Minor
9 9 5 9 5 13 5	Fifty-five tone Harmonic Major
59 tone equal mode:
8 8 8 11 8 8 8	Fifty-nine tone Miller's Porcupine-7
8 11 8 8 8 8 8	Fifty-nine tone Miller's Porcupine-7 Major
63 tone equal mode:
7 4 4 7 4 7 4 7 4 4 7 4	Twelve-tone Chromatic (1/8-comma positive)
65 tone equal modes:
6 5 5 6 5 6 5 6 5 5 6 5	Meantone Chromatic (1/52-comma)
6 5 6 4 6 5 6 6 4 6 5 6	"Just" Chromatic
67 tone equal mode:
5 6 6 5 6 5 6 5 6 6 5 6	Meantone Chromatic (4/25-comma)
68 tone equal modes:
9 7 12 12 9 7 12	Chrysanthos 1st Byzantine Liturgical mode
12 13 3 12 12 5 11	Chrysanthos 3rd Byzantine Liturgical mode
12 9 7 12 9 7 12	Chrysanthos 4th plagal Byzantine Liturgical mode
7 18 3 12 7 18 3	Chrysanthos Hard Chromatic 2nd plagal Byzantine mode
7 18 3 12 9 7 12	Chrysanthos Hard Chromatic/Diatonic Byzantine mode
9 7 12 7 18 3 12	Fokaeas 2nd plagal Byzantine Liturgical mode
12 9 7 12 12 3 13	Konstantinos 3rd Byzantine Liturgical mode
12 4 12 9 7 12 12	Konstantinos 4th plagal Byzantine Liturgical mode
12 13 3 12 12 13 3	Tiby 1st Byzantine Liturgical mode
12 5 11 12 12 5 11	Tiby 2nd Byzantine Liturgical mode
9 12 7 12 9 12 7	Tiby 4th Byzantine Liturgical mode
7 14 7 12 7 14 7	Tsiknopoulos 2nd Byzantine Liturgical mode
7 12 12 9 7 12 9	Tsiknopoulos 4th Byzantine Liturgical mode
12 9 7 12 12 9 7	Tsiknopoulos 4th plagal Byzantine Liturgical mode, Tiby 3rd Byzantine mode
69 tone equal mode:
4 7 7 4 7 4 7 4 7 7 4 7	Meantone Chromatic (5/17-comma)
70 tone equal modes:
3 7 7 3 10 1 9 5 5 9 1 10	Jorgensen 5&7
7 5 5 7 5 7 5 7 5 5 7 5	Twelve-tone Chromatic (1/24-comma positive)
5 7 5 5 7 5 7 5 5 7 5 7	Seventy tone Schismic
72 tone equal modes:
7 5 7 4 7 5 7 7 4 7 5 7	"Just" Chromatic
5 5 20 5 5 20 12	Parachromatic Mixolydian
5 20 5 5 20 12 5	Parachromatic Lydian
20 5 5 20 12 5 5	Parachromatic Phrygian
5 5 20 12 5 5 20	Parachromatic Dorian
5 20 12 5 5 20 5	Parachromatic Hypolydian
20 12 5 5 20 5 5	Parachromatic Hypophrygian
12 5 5 20 5 5 20	Parachromatic Hypodorian
5 10 15 5 10 15 12	Soft Diatonic Mixolydian
10 15 5 10 15 12 5	Soft Diatonic Lydian
15 5 10 15 12 5 10	Soft Diatonic Phrygian
5 10 15 12 5 10 15	Soft Diatonic Dorian
10 15 12 5 10 15 5	Soft Diatonic Hypolydian
15 12 5 10 15 5 10	Soft Diatonic Hypophrygian
12 5 10 15 5 10 15	Soft Diatonic Hypodorian
9 10 11 9 10 11 12	Equable Diatonic Mixolydian
10 11 9 10 11 12 9	Equable Diatonic Lydian
11 9 10 11 12 9 10	Equable Diatonic Phrygian
9 10 11 12 9 10 11	Equable Diatonic Dorian
10 11 12 9 10 11 9	Equable Diatonic Hypolydian
11 12 9 10 11 9 10	Equable Diatonic Hypophrygian
12 9 10 11 9 10 11	Equable Diatonic Hypodorian
11 7 12 12 11 7 12	Misaelides 1st Byzantine Liturgical mode
12 12 11 7 12 11 7	Misaelides 3rd Byzantine Liturgical mode
7 12 12 11 7 12 11	Misaelides 4th Byzantine Liturgical mode
11 7 12 15 3 12 12	Misaelides 1st plagal Byzantine Liturgical mode
7 20 3 12 7 20 3	Misaelides 2nd plagal Byzantine Liturgical mode
5 19 6 12 5 19 6	Xenakis Byzantine Liturgical Chromatic
7 16 7 12 7 16 7	Xenakis Byzantine Liturgical Soft Chromatic
12 11 7 12 12 11 7	Xenakis Byzantine Liturgical Diatonic, Misaelides 4th plagal Byzantine
6 20 4 12 9 10 11	Byzantine Palace mode
4 15 4 15 4 15 15	Seventy-two tone Kleismic-7
4 4 11 4 11 4 4 11 4 4 11	Seventy-two tone Kleismic-11
7 7 7 7 7 7 7 7 7 2 5 2	Twelve-tone Miracle
74 tone equal mode:
5 7 7 5 7 5 7 5 7 7 5 7	Meantone Chromatic (3/14-comma)
77 tone equal modes:
7 6 6 7 6 7 6 7 6 6 7 6	Meantone Chromatic (18/59-comma)
7 6 7 5 7 6 7 7 5 7 6 7	"Just" Chromatic
79 tone equal mode:
6 7 7 6 7 6 7 6 7 7 6 7	Meantone Chromatic (3/20-comma)
81 tone equal mode:
5 8 8 5 8 5 8 5 8 8 5 8	Meantone Chromatic (5/19-comma)
84 tone equal mode:
8 6 8 5 8 6 8 8 5 8 6 8	"Just" Chromatic
11 8 11 8 11 8 11 8 8	Smith's Eighty-four tone Orwell
9 9 9 4 9 9 9 4 9 9 4	Eighty-four tone Semisixths-11
88 tone equal mode:
5 9 9 5 9 5 9 5 9 9 5 9	Meantone Chromatic (3/10-comma)
89 tone equal mode:
8 7 7 8 7 8 7 8 7 7 8 7	Meantone Chromatic (1/26-comma)
91 tone equal mode:
7 8 8 7 8 7 8 7 8 8 7 8	Meantone Chromatic (1/7-comma)
94 tone equal modes:
9 7 7 9 7 9 7 9 7 7 9 7	Twelve-tone Chromatic (1/125-comma positive)
7 9 7 7 9 7 9 7 7 9 7 9	Ninety-four tone Schismic
96 tone equal mode:
9 7 9 6 9 7 9 9 6 9 7 9	"Just" Chromatic
98 tone equal mode:
7 9 9 7 9 7 9 7 9 9 7 9	Meantone Chromatic (5/27-comma)
99 tone equal mode:
10 7 7 10 7 10 7 10 7 7 10 7	Twelve-tone Chromatic (1/20-comma positive)
101 tone equal mode:
9 8 8 9 8 9 8 9 8 8 9 8	Meantone Chromatic (1/22-comma)
103 tone equal mode:
8 9 9 8 9 8 9 8 9 9 8 9	Meantone Chromatic (3/22-comma)
106 tone equal modes with Turkish makams:
11 23 10 18 11 23 10	Makam Suzinak II
18 11 26 7 18 8 8 10	Makam Nikriz
11 23 10 18 11 23 10	Makam Hicazkar I-Kadim
11 23 10 18 11 26 7	Makam Hicazkar
14 5 7 11 7 18 8 8 10 18	Makam Isfahan II
14 2 10 18 11 23 10 18	Makam Karcigar
14 2 10 18 11 5 10 8 10 18	Makam Araban
14 2 10 3 15 11 7 8 3 15 11 7	Makam Hisar
11 15 18 18 8 18 18	Makam Kurdi
11 26 7 18 8 8 10 18	Makam Hicaz
11 26 7 18 8 18 18	Makam Humayun
11 26 7 18 8 3 15 11 7	Makam Sahnaz
19 7 18 18 8 3 15 11 7	Makam Buselik
19 15 10 18 16 10 8 10	Makam Nisaburek
10 18 11 23 10 18 8 8	Makam Huzzam
18 7 18 8 11 7 18 11 8	Makam Nisabur
108 tone equal mode:
10 8 10 7 10 8 10 10 7 10 8 10	"Just" Chromatic
118 tone equal modes:
11 9 9 11 9 11 9 11 9 9 11 9	Meantone Chromatic (1/83-comma)
11 9 11 7 11 9 11 11 7 11 9 11	"Just" Chromatic
120 tone equal mode:
11 9 11 8 11 9 11 11 8 11 9 11	"Just" Chromatic
152 tone equal modes:
15 11 11 15 11 15 11 15 11 11 15 11	Twelve-tone Chromatic (1/32-comma positive)
14 12 14 9 14 12 14 14 9 14 12 14	"Just" Chromatic
171 tone equal modes:
16 13 13 16 13 16 13 16 13 13 16 13	Meantone Chromatic (1/107-comma)
16 13 16 10 16 13 16 16 10 16 13 16	"Just" Chromatic
13 16 13 13 16 13 16 13 13 16 13 16	Hundred-seventy-one tone Schismic
183 tone equal modes:
17 14 14 17 14 17 14 17 14 14 17 14	Meantone Chromatic (1/68-comma)
17 14 17 11 17 14 17 17 11 17 14 17	"Just" Chromatic